• Andriesh (1954)

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    Andriesh (1954)

    A film by the Kyiv Film Studio named after Alexander Dovzhenko, directed by Sergei Parajanov.

    In 1954, Parajanov (together with Yakov Bazelyan) was offered to stage the literary fairy tale “Andriesh”. It was based on a Romanian fairy tale. By that time, the film was released in color, which was a real rarity. Parajanov managed to convey a beautiful authentic atmosphere, a tradition he would later continue in the film “Shadows of Forgotten Ancestors”.

    The story protrays the magical adventures of a simple shepherd boy who wants to become a valiant warrior and protector. He meets a famous knight and receives a magical gift from him. The main character also battles with a evil sorcerer. The film contains fairy-tale elements: combined shots of little Andriesh with the giant Giant-hero, fantastic caves, views, fire, the hero on horseback rushing through the starry sky. Sergei Parajanov is used to breaking stereotypes, so he gets down to business and creates the film “Andriesh”, which will tell the viewer a story about courage and faith that did not yield to the evil sorcerer and his magic. It turns out that an ordinary shepherd can behave like a real hero.

    Creative team:
    Scriptwriters: Emilian Bukov, Grigoriy Koltunov, Sergey Lyalin, Vadim Korostilev;
    Directors: Yakov Bazelyan, Sergey Parajanov;
    Directors of photography: Vadim Vereshchak, Suren Shahbazyan;
    Composers: Igor Shamo, Grigoriu Tirtseu.
    Cast: Kostya Russu — Andrey; Nodar Shashik-oglu — the hero Voynovan; Lyudmila Sokolova — Lyana; Kiril Shtirbu — Pekale; Evgeny Ureke — the giant Strimbe-Lemnia; Domnika Darienco — the blind woman; Robert Vizirenko-Klyavin — Black Whirlwind; Trifon Gruzin — Barba-Cat.


  • Janaina Mello Landini

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    Janaina Mello Landini

    “There is urgency in coming to see the world as a web of interrelated processes, of which, we are integral parts, so that all our choices and actions have consequences for the world around us.” – A.N. Whitehead

    Janaina Mello Landini is a Brazilian artist who uses braided rope and string to create intricate and immersive installations. In her work, she expresses a deep sense of our inherent mutuality and interdependence. This approach is informed by her background in architecture, physics, and mathematics. Her art encompasses a range of scales, from individual objects to public spaces.

    Her work is instantly relatable as a reflection of the natural branching patterns we see all around us. It also evokes an appreciation for the ongoing wonder and mystery of the world. These are optimistic pieces, expressing a hopeful outlook on the interdependence of life. They underscore both our inherent vulnerability and our resilience. It’s also a good reminder to keep branching out, to explore new approaches, and make new connections.


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    Acoustic Levitation

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    Acoustic Levitation

    I was really struck by the sonic styling and imagery in this video from the Ksana Institute and Kayalight Studios.  It’s a great synthesis of sound, imagery, and concept that works so well.

    Note the metaphysical references, experimental lab/prison/mental institution setting, and the supporting pesudo-scientific documentation.  WanDan also does an amazing job of mixing up beat-boxing, throat-singing, and psycho, bass-heavy sound design.

    Interview @ onepointfour.co/2012/08/03/added-dimensions/

    那刹 Ksana Institute is a non profit organization established to pursue research into the sonic capabilities of human beings.

    This is the first in a series of experiments we are undertaking on test subject WanDan.